COMPOSER

My work aims to root itself in contemporary issues, with particular attention to interdisciplinary creation and the exploration of stage formats. Trained as a cellist performer, I have directed my artistic practice toward corporeality, gesture, and stage rituals, questioning the codes of the classical concert, which have always fascinated me. I focus on revealing the invisible dimensions of musical gesture—from the simple act of tuning to stage rituals—which become essential vectors of communication and emotion.

Inspired by the thinking of artists like Jennifer Walshe and John Cage, I consider the musician as an “actant” on stage, where the body is both an instrument and an interface between the artist and the outside world. Gesture, voice, and movement are not mere tools of expression but vehicles of meaning, indispensable to the relationship between musicians, the audience, and the stage.

In recent years, my research has been enriched through collaborations with artists from diverse backgrounds: visual artists, directors, and circus performers. This interdisciplinary dialogue has nourished my practice and opened new artistic territories. My work incorporate elements of lighting, video, and staging, exploring new ways to inhabit the stage space.

More than a musical approach, I see creation as a collective quest, where each encounter and interaction becomes a driving force for artistic expansion. My goal is to fully commit to the art of performance, blending disciplines and transforming my discoveries into new creative projects.